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"And he is your cousin, this strange young man?" Only as Mrs. Geoffrey makes her final curtesy, and Geoffrey, with a laugh, stoops forward to kiss her lips instead of her hand, as acknowledgment of her earnest and very sweet performance, thereby declaring the same to have come to a timely end, do the new-comers dare to show themselves. "That's me," says Mona, glancing at him archly from under her long lashes..

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"I know," says Mona, brightening, and putting on an air so different from her own usual unaffected one as to strike her listener with awe. "I shall say, 'Oh! thanks, quite too awfully much, don't you know? but Geoffrey and I didn't find it a bit long, and we were as warm as wool all the time.'" A terrace runs all along one side of the house, which is exposed to view from the avenue. And here, with a gaunt but handsome greyhound beside her, stands a girl tall and slim, yet beautifully moulded. Her eyes are gray, yet might at certain moments be termed blue. Her mouth is large, but not unpleasing. Her hair is quite dark, and drawn back into a loose and artistic coil behind. She is clad in an impossible gown of sage green, that clings closely to her slight figure, nay, almost desperately, as though afraid to lose her. "Ay, where else?" answers the woman, sullenly who has joined them. "They brought him back to the home he will never rouse again with step or voice. 'Tis cold he is, an' silent this day." To the surprise of everybody, Geoffrey takes no open notice of his mother's speech. He does not give way to wrath, nor does he open his lips on any subject. His face is innocent of anger, horror, or distrust. It changes, indeed, beneath the glow of the burning logs but in a manner totally unexpected. An expression that might even be termed hope lights it up. Like this do his thoughts run: "Can it be possible that the Australian has caved in, and, fearing publicity after last night's fiasco, surrendered the will to Mona?".